![]() ![]() During the final part, however, he devolves into a true solo, demonstrating his flair for hooky riffs, as well as a nod to the influence of Gabor Szabo. Throughout the fairly structured first part and bridge, he plays a set melody, simply adding little touches for effect. Like it’s successor, the luminous “ Europa (Earth’s Cry, Heaven’s Smile)”, Samba Pa Ti showcases the melodic genius of Carlos Santana. (In order to achieve the unique tone of the song, Carlos leaves a Wah Wah pedal set somewhere in the middle of its range.) Then they speed up into a mid-tempo Samba rhythm, as Carlos builds a hook-laden solo based on blues riffs, Latin-flavored trills, and the beautiful bell-like tone (especially in the high register) of his guitar through a Fender Twin Reverb tube amplifier.
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